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Celebrate Edgar Allan Poe's Bicentennial (1809-2009) with the critically acclaimed, award winning Radiotheatre in a unique event as they perform live, on stage, a year-long presentation of seventeen major works by the grand master of American horror! Included are: THE TELL TALE HEART, THE PIT AND THE PENDULUM, THE HOUSE OF USHER, MORELLA, THE MASQUE OF THE RED DEATH, BERENICE, THE CASK OF AMONTILLADO, THE BLACK CAT, THE RAVEN, ANNABEL LEE, HOP FROG, THE OVAL PORTRAIT, THE PREMATURE BURIAL, THE CASE OF MR.VALDEMAR, WILLIAM WILSON, LIGEIA and THE MURDERS IN THE RUE MORGUE...all newly adapted audio works for the stage by Dan Bianchi, complete with our great cast of storytellers, special guests, original orchestral scores and a plethora of sound effects!  | 
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Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American poet, short-story writer, editor and literary critic and is best known for his tales of mystery and the macabre. Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. Poe switched his focus from poetry to prose and spent several years working for literary journals and periodicals, becoming known for his own style of literary criticism. His work forced him to move between several cities, including New York City. In Baltimore in 1835, he married his 13-year-old cousin. In January 1845, Poe published his poem “The Raven” to instant success. His wife died of tuberculosis two years later. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, and tuberculosis. Poe and his works influenced literature in the United States and around the world. His work appears throughout popular culture in literature, music, films, and television. A number of his homes are dedicated museums today.
WHAT IS RADIOTHEATRE?
Well, we’re NOT an authentic re-creation of old time  radio shows…
Rather, we are inspired by the artistry created  during the Golden Years of Radio when SOUND was king and STORY TELLING, along  with great voices, music and sound effects…as well as, the individual  imaginations of its audiences …were the primary ingredients used to provide a  memorable, live, theatrical experience.   It’s not much different than the earliest form of Theatre…telling tales  around a campfire in the dark where all of one’s attention is focused upon the  Narrator. However, primitive it might sound, it’s still the most powerful means  of intellectual stimulation, wherein, the audience is invited to participate by  conjuring the images in their own minds…something they are not required to do  very often these days. Of course, we do like to add some 21st Century  touches…such as fully scored orchestral sound tracks which you won‘t hear  anywhere else, a plethora of aural effects and, sometimes, a few visuals,  too!  As for our stories content,  RADIOTHEATRE draws its inspiration from the Pulp Fiction Era when genres such  as Adventure, Horror, Science Fiction and Crime dominated the American popular  culture…all genres which have been thoroughly mined and exploited by  Literature, Cinema and TV, but, generally ignored or spoofed in the Theatre  world. Our cinematic scripts and presentational format allows RADIOTHEATRE to  deliver nearly anything …from King Kong roaring atop the Empire State Building  to an explosive invasion from outer space to the inner voice of a demented  mind...all of which you won’t experience anywhere else on the live stage.  So, there’s your answer!  By combining a unique presentation with non  -traditional content, RADIOTHEATRE is a singular theatre company creating  modern, innovative stage works.
WINNER of 2008 NY Innovative Theatre Awards:
    OUTSTANDING ORIGINAL MUSIC and OUTSTANDING  SOUND DESIGN
"STUNNING" - SCI FI CHANNEL
"Brings to mind VINCENT  PRICE and Victorian Era full moons!" -NYTIMES
"Spooky, SHOCKING,  Horrific!" –TIME OUT NY
"A SOUND  EXTRAVAGANZA!" -VARIETY
"Elegant and VIVID  storytelling!" -NYTHEATRE
"A TON of FAST PACED  FUN!"  -VILLAGER
"Dan Bianchi's Sound  Design is MARVELOUS!" -VILLAGE  VOICE
"Ominous, EERIE,  Monster Movie Sound FX!"  -BACKSTAGE
"RADIOTHEATRE is a  VIBRANT force for NYC Stage Shows!" -HYREVIEWS
"CREEPY!"  -AMERICAN  THEATRE MAGAZINE
"HORRIFIC!  EVOCATIVE! ROUSING! ENGAGING! CHILLING!"  -OFFOFFONLINE
    
  
The Cast and Crew  | 
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    ANTHONY CREP has appeared in Radiotheatre's DRACULA'S GUEST and DRACULA. He is a graduate of the Maggie Flanigan Studio in NYC. Stage credits include Sydney Bruhl in "Deathtrap," Wilson in Adam Rapp's "Bingo With The Indians" at the Flea Theater and Neal in Coday Daigle's "Providence."  | 
  
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    JOE FELLMAN has appeared in Radiotheatre's DRACULA'S GUEST and DRACULA. He graduated MFA, Rutgers. Recent credits include "Miss Witherspoon" Amphibian Stage Prod; "The Crucible" Northern Stage; "The Darker Face Of The Earth," "Educating Rita" New London Barn Playhouse; "Much Ado About Nothing," "Romeo and Juliet" Princeton Rep; "Othello" Shakespeare Theatre of NJ; On TV - Law & Order;Criminal Intent; All My Children.  | 
  
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    SHELLEEN KOSTABI has  appeared in Radiotheatre's DRACULA.  She's played Madonna, Kate and  Renfield in various productions around town.   Recently, she performed  solo in "Republique."  Other credits include "Double  Crossed" and "PS 357" in the Queens Players  "Everyman."  | 
  
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    CASH TILTON has appeared  in RadioTheatre's THE TIME MACHINE, THE WAR OF THE WORLDS, THE INVISIBLE MAN,  KING KONG and THE ISLAND OF DR.MOREAU.  Onscreen in Sexina: Popstar,  P.I.,  he is kidnapped and forced to create a cyborg boy band, with which  record company exec Adam West plans to dominate the music industry and possibly  the entire world. On channel125.com, blip.tv, and elsewhere, Cash delivers  satirical news commentary and makes unkind remarks about politicians and  celebrities as Ed E. Druckman. He was recently in Emerging Artists Theatre's  spring one-acts, and in NY Int'l Fringe Festival he appeared in One Seat in the  Shade by John Reoli.  | 
  
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    FRANK ZILINYI has  appeared in Radiotheatre's THE HAUNTING OF 85 EAST 4th STREET, THE WAR OF THE  WORLDS, THE INVISIBLE MAN, KING KONG 08, DRACULA'S GUEST, DRACULA.  Last  season he performed with the Inwood Shakespeare Festival as Monsieur de  Tréville in The Three Musketeers. Also for ISF: the Town Crier and Aladdin's  Jinni in Arabian Nights, An Offering of Magic & Hope; Captain Flint in  Treasure Island, in ISF's La Vida Es Sueño (en español) as the Soldier and in  The Merry Wives of Windsor as Sir John Falstaff. He was heard as two voices of  the quartet in a sung prologue for Romeo and Juliet and was also seen or not  seen, as the Ghost in Hamlet both att Expanded Arts.    | 
  
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    WES SHIPPEE (Sound Engineer) returns for his 12th show with Radiotheatre. Currently in the Music Technology program at NYU, Wes has done everything from live band mixing to DJ work to roadie work. Also performing extensively as an actor/singer/pianist, he finds himself back in the theatre behind the sound board, this time playing a monster or two. His most recent role was Joseph in Joseph and the Amazing Technicolor Dreamcoat (Out of the Woods Theatre Company, Richmond, VA). He is currently working on the stage crew at Radio City Music Hall.  | 
  
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    DAN BIANCHI has spent  over 30 years in theatre and film as an Independent Theatre artist which  includes writing, directing, producing, set and lighting design, music and sound  design, graphics, PR and whatever else is necessary to keep the ball rolling.  He founded RADIOTHEATRE in 2004 and has since produced/ written/directed  MADHOUSE; HARDBOILED 1; HARDBOILED 2; WAR OF THE WORLDS (Nominated 2005 NYIT  Award) ; KING KONG 2005; THE PIGMAN OF DELANCEY STREET (Nominated for two 2006  NYIT Awards); THE HAUNTING OF 85 EAST 4th STREET (Nominated for two 2007 NYIT  Awards;) THE ISLAND OF DR.MOREAU, KING KONG 2007, THE TIME MACHINE, THE WAR OF  THE WORLDS 2007, THE INVISIBLE MAN, THE ISLAND OF DR.MOREAU 2007 (WINNER 2008  NYIT Outstanding Music and Outstanding Sound Design), KING KONG 08, THE MOLE  PEOPLE, DRACULA'S GUEST and DRACULA.  Among his accomplishments, he's been  founder/Artistic Director of four international theater companies,  written  and directed over 50 plays and musicals, worked as screenwriter in Hollywood,  directed 7 motion pictures with members of the Royal Shakespeare Co., won  three-times Best Director Off Broadway, twice The Beckett Prize, the ASCAP  Musical Theater Award, Billy Rose Theater Award,  the National Writers  Guild Screenwriting Award, a MacDowell Fellowship,  and a National  Humanities Grant. He recently directed a feature THE EVIL KILLERS. He founded  and ran VIDEOTHEATRE, NYC's only year round  DV-dedicated indie theater.    He is also a visual artist whose works have been shown in galleries and  museums around the world, including Museum of Modern Art, NYC,  MOMA  Australia, Brazil, Germany, Museum of Non -Conformism, Russia, etc.  |